Showing posts with label Silver Linings Playbook. Show all posts
Showing posts with label Silver Linings Playbook. Show all posts

Sunday 18 February 2018

'Joy (2015) is another Playbook where the Silver Linings are fairly hidden' ~ Ramirez Jones

'Joy (2015) : another Playbook where the Silver Linings are fairly hidden'

More views of - or before - Cambridge Film Festival 2017 (19 to 26 October)
(Click here to go directly to the Festival web-site)


18 February

'Joy (2015) is another Playbook where the Silver Linings
are fairly hidden' ~ Ramirez Jones









Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Sunday 24 March 2013

A working document : Silver Linings Playbook and its pros and cons with mental-health issues

More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)


25 March

First thoughts after just seeing the film, to be added to, revised, etc., as time and reading other comments permit

* NB Contains spoilers *


Preamble : I do not know about US mental-health or criminal law, but I do know about sections 37 and 41 of the Mental Health Act 1983 (as amended), where it used to be that, before the Ministry of Justice, the Home Office would receive psychiatric reports and decide whether someone could fully or conditionally be discharged from section. Such people had been found to have committed a criminal offence, but, because of their mental-health condition, were being held in hospital, not in prison.

What we are shown seems similar, though it is implausible that Pat’s mother could just turn up, sign a document, and take him home there and then (or, equally, that it would not be known beforehand that police officer Keogh had been allocated to supervise Pat (Bradley Cooper) in the community) : in the UK, the 1983 Act would only allow Pat’s mother to take him off even a non-criminal section by giving 72 hours in which the consultant could object to it on the basis that he would be a danger to himself or others.

As I suggest, a far cry - even if perhaps necessary to a plot where Pat's father does not even know that it is happening - from seemingly just 'bowling up' and getting Pat signed over...


Pros :

1. Jennifer Lawrence’s portrayal (as Tiffany Maxwell) of someone with mental-health issues as straightforward and open, genuine, and not excusing what, in Pat, did not have to be that way.

2. That Pat (Bradley Cooper) responds to her, albeit just initially just by talking about medication at her sister's dinner table, because they share something.

3. That Tiffany is shown throwing back in Pat's face his hierarchy of craziness, where she is ‘worse than’ he, because she ended up being highly promiscuous for a while (after her husband has been killed when helping another driver), and where, as she tells him, he throws back in her face what she has trusted him with in friendship.


Cons :

1. Bradley Cooper’s portrayal (as Pat) of someone with mental-health issues who cannot control himself, and lacks compassion, tact and understanding, because he is the one with the history of undiagnosed bi-polar disorder, and the implication might be that those traits or behaviours are part and parcel of the diagnosis.

2. The notion that regular therapy would not only be available, but provided, in a medical culture so rooted to medication. (The therapy gets conveniently forgotten, once Pat encounters Dr Patel at a football game, as do the charges and consequences of what happens there, because the film presents him as doing nothing other than rehearsing with Tiffany and collapsing.)

3. The suggestion from Pat that he can recognize OCD (Obsessive Compulsive Disorder*) in his father Patrizio just because he likes the remote-controllers in a certain arrangement, which is a regression even on Jack Nicholson's character in As Good as it Gets. Pat has been in a psychiatric unit for eight months, and so should know better, because (as suggested at point 5) he has got close enough to people to understand how they tick and feel.

4. The whole film, of course, has a bit of a feel that, just as Jack Nicholson in that other film 'just needed the love of a good woman to take him out of himself' (i.e. Helen Hunt), so Pat just needs to accept that he loves Tiffany and wants to care for her.

5. Danny (Chris Tucker) is shown as engaging, but with recurrent fixed thought-patterns that prevent his engagement with others. Nonetheless, Pat and he have a friendship, which must mean that Pat is capable of getting beyond his self-centredness(contrary to what point 1 in this list suggests. Danny has a pretty understandable desire to escape from the unit at Baltimore, but, when he is legitimately out (prior to which Pat, somehow, has been finding time to write to him), he is suddenly transformed into a with-it guy, making Pat jealous by demonstrating dance-moves with Tiffany - the transformation would have been interesting to know more of.

6. Putting points 4 and 5 in this list together, the message appears to be that mental ill-health arises from self-obsession, and that learning to focus one's attention on the needs and feelings of another is all that is needed as a cure. Which is about as true to the world of such conditions as bi-polar disorder as films like Hitchcock's Spellbound (1945) are to psychiatric practice or Marnie (1964) is to breaking through a neurosis by finding 'the key'.


Watch this space !


End-notes

* Some people seriously believe, as someone with the condition once told me, that it stood for Obsessive Cleaning Disorder.